Contributing art (and theme camps, art cars etc) to everyone's experience is a core part of BM's philosophy, as well as my own. As attendance event has exploded, the ratio of bringers to non-bringers has been dropping, particularly on burn weekend. The lottery has some intriguing implications for how this sort of participation is handled, depending on how it's finally implemented...
*If contributors-of-things get guaranteed tickets, will it encourage a new renaissance of art, theme camps, art cars, performance etc? This actually excites me! I could see it encouraging a lot more individuals to step up with smaller scale contributions. Many of my favorite things on the playa have come from first-time contributors.
*If there are special tickets for contributors-of-things, what criteria would be used for determining that something is appropriate, AND delivered? There's currently some assessment of this for art funding, art car licensing and theme camp placement. But the projects who go through this process are only a fraction of the great stuff that ends up on the playa. For example, I think there are only about ~30 funded installations every year, but about 10x more that are placed on the playa. To complicate this point, consider that this sort of ticket could mean that someone willing to sink $5k into an art installation could get guaranteed entry (or is this a case of contributing that $5k to everyone at the event?)
*How can the lottery timing support the long-range planning required by larger projects? I start in January, but would hate to get started and then find that I haven't been able to win a ticket.
- Chassy
As an aside, Glastonbury has been used as an example of a very successful event lottery. It sounds fair and well done, but the fundamental difference is that Glastonbury is not a created by those who attend.

