by waltsnipe » Mon Jun 28, 2004 10:55 am
I took the Brazilian mixes out for a test-drive at a party this weekend, and people really seemed to like it. I have high hopes for its effects upon people's hips and backsides on the playa at this year's dance.
Last year, I took the geographical approach to organizing the Sub-Saharan African music dance: started in Senegal (Yousou N'Dour, Ayib Deng, Salif Keita), went down to Mali (the wonderful Habib Koite and Bamada) down into Nigeria (Fela and Femi Kuti, King Sunny Ade) then around the horn and into some of the Central African latin-influenced styles (soukous from Kinsasha, etc.) then into Zimbabwe and Tanzania (Oliver Mtukudzi) and finally down to South Africa. I'm leaving out a lot of names because frankly I can't get close to spelling them. We had a fair turnout at the playa dance last year, but the music just didn't seem to grab people like I thought it would. It may be that through all those very distinct African styles, the beat where the "one" happens keeps moving, so that you can't dance just one way (like, say, with reggae). Don't know. I'll still play lots of that African music on Radio Electra, because I think it's so good and so underexposed in this country.
When listening to the Brazilian mixes this weekend, there is more continuity of style to it....so that may make dancing easier for folks and therefore cause more involuntary buttock gyrations. Hope so, anway.
waltsnipe, SCARAB Musical Director
ps. saw Fela Kuti in Austin back in the mid-80s. It was a cool show, but Femi Kuti blew me away when I saw him at the WOMAD Festival in Seattle a few years back (before Puritan Ashcroft made that annual festival impossible through his obstructionism in foreign musicians being able to get visas to come here to play). Of course, Habib Koite blew everyone out at WOMAD.